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Big Momma's House 2 (2006)

Big Momma's House 2 (2006)

GENRESComedy,Crime
LANGEnglish
ACTOR
Martin LawrenceEmily ProcterNia LongZachary Levi
DIRECTOR
John Whitesell

SYNOPSICS

Big Momma's House 2 (2006) is a English movie. John Whitesell has directed this movie. Martin Lawrence,Emily Procter,Nia Long,Zachary Levi are the starring of this movie. It was released in 2006. Big Momma's House 2 (2006) is considered one of the best Comedy,Crime movie in India and around the world.

Undercover Agent Malcolm Turner is back and this time he's out to expose the suspected designer of a deadly computer "worm" that would allow outside forces access to sophistical and critical government intelligence files. But unfortunately, the only way the crafty agent can get next to the worm's creator, Tom Fuller, is to access the programmer's Orange County home as the new "nanny" to Fuller and his wife Leah's children: toddler Andrew and his two older sisters, Carrie and Molly. This means that Malcolm must once again rely on his sure-fire alter ego, the take-no-prisoners Hattie Mae Pierce, a.k.a. "Big Momma," to bring down the bad guys and prove that a woman's work is never done! But once undercover, the job proves another tough juggling act for Big Momma as "she" must manage the hectic lives of the three Fuller kids, keep up with their myriad of daily activities, and handle the many household chores, all while secretly trying to dig up information on Tom's computer virus. Of ...

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Big Momma's House 2 (2006) Reviews

  • Good, Clean Fun

    pjh07042006-02-10

    I howled at Big Momma's House. Did the same at BMH 2. If Lawrence does not genuinely enjoy playing this character, then he certainly deserves an Oscar because once he puts on that suit, he and Big Momma are "One." Does the plot make sense? Sure. As much sense as most other comedies of this type. Mrs. Doubtfire? The Pacifier? Deuce Bigelow? Most of Adam Sandler's films? Big Momma can hold her own, honey. The sight gags in this one are even funnier than in the first. The Bo Derek beach scene had the audience rolling in the aisles. And that was just one of many. I especially liked the friendship that developed between Big Momma and the mother of the family she nannies for. Did anyone notice the mom's southern accent? It was a refreshing change from the humor that is usually milked from between outspoken black females and prissy white females. Good for you, Big Momma. But Big Momma still does some funny ragging on white culture, as well as just yuppie culture of all colors. I don't agree at all with the poster who wondered why Martin Lawrence tries to portray an action hero. Personally, I thought Martin looked extremely fit in this film and found his stunt work and role as an FBI agent very believable. I found it to be a definite positive for the film as a whole. Nia Long is feisty and as funny as she's allowed to be. On screen she and Lawrence work well together. The kids in this film are very, very good. Even the dog is funny. It's more of a feel-good movie than the first one and as a mom who plans to now take her kids, that's fine with me. The bottom line: Lots of laughs if you're the kind of viewer who enjoys screwball comedies that aren't artsy and if you enjoy humor that plays upon cultural differences and experiences. Personally, I love Big Momma and would welcome her at my family reunion any time.

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  • It isn't Bottom 100 material.

    Rikakus2006-02-10

    The movie isn't really that good. Most jokes fall flat and the film is predictable, but the movie still has it's laughs and it's enjoyable somehow. Martin Lawrence gives a mediocre performance as most of everything he says isn't funny at all. Still, the movie has it's moments like the beer-loving chihuahua and that kid that was always falling. The movie is mediocre, and I wouldn't pay $8 to watch it, but the movie is still watchable. The movie doesn't deserve to be on the Bottom 100 because the bottom 100 is made for painful movies, and this one is at least watchable. Rating: 2 of 4 stars (Watchable.)

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  • Middling comedy with some surprises

    ladyinterference2006-03-17

    If you're looking for an intellectual comedy or even something with some actual substance to it, this is not the movie to go to. It is the type of movie you go to, to turn off your brain and just take in some escapist entertainment. It does the job decently, better than most of the other light comedies out there. But what really surprises is how relatively few stupid moments come throughout the movie. A lesser-quality movie would have gone for the easy jokes about dorky white people vs. smooth black people. A lesser flick would have had some of the characters be less perceptive and observant than they actually ended up turning out to be. Poorer-quality fare would have turned this movie into something approaching blaxploitation, where all parties involved ended up humiliated by the experience. This didn't do any of the aforementioned. Certain characters who could have been written as dumber were actually written as credibly perceptive. Certain scenarios that could have been played out as ridiculous ended up being plausible. There was less of a black/white good vs. evil conundrum going on in this movie, and the suspense involved actually seemed worth it instead of just being suspense for suspense's sake. I don't think there was one moment in the whole film where I was rolling my eyes going, "OH COME ON," the way I was throughout the last film I was obliged to go see, this year's remake of Last Holiday. Had the premise been more original, had the comedy been more sharply written, more intelligent, I would have been inclined to give this comedy ten stars. It really is one of the better commercial movies to be released in Hollywood over the last five years. It even manages to be better than its predecessor. However, the comedy was actually quite dull, pedestrian, uninvolved, and unintellectual, which means it earns six stars out of ten. Just barely passable, but a heck of a lot better than its contemporaries.

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  • Really funny at parts

    jimenez-32006-02-08

    You need to realize that this is not a smart comedy. It is silly and some impossible things happen. When you are going to see this film prepare yourself for that and you will enjoy it. It is impossible for anyone to change into a credible fat lady in less than an hour, much less in a few minutes. But you need to let that kind of stuff go so the comedy in it gets to you. The father of the kids just looks amazed at the things the nanny can do but does not try to help her. Again, don't try to make sense of it. There is a scene where I was about to wet my pants because I could not stop laughing, that is when Big Momma dresses up as Bo Derek in that famous scene in 10. I liked it and so can you.

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  • very lame but sometimes funny

    Buddy-512006-05-25

    Some of the greatest movie comedies of all time have revolved around men dressing up in drag and trying to pass themselves off as women ("Some Like It Hot" and "Tootsie" being the prime examples). Ironically, that's also been the basis for some of the worst comedies ever made ("White Chicks" being the prime example I can think of at the moment). Somewhere in the middle lie the Big Momma movies, both the original, made in 2000,and the sequel from 2006, creatively entitled "Big Momma's House 2." Once again, Martin Lawrence stars as the FBI agent who this time goes undercover as a nanny to the children of a man who may be involved in some sort of major threat to national security (yawn!). In turns of its storyline, the movie falls somewhere between "Mrs. Doubtfire" and "Mary Poppins," with Big Momma managing to heal the rift in the family and making the neglectful father a model parent by the end of the film. The crime scenario is beyond stupid and leads to a whole host of idiotic slapstick scenes involving Big Momma taking on the gun-wielding bad guys, but if you have a high level of tolerance for this sort of thing, "Big Momma's House 2" should provide you with a good share of laughs amid all the clunkers. Lawrence exhibits a great deal of energy in the role of Big Momma, but he never brings the kind of insight and believability to the part that Jack Lemmon, Tony Curtis or Dustin Hoffman managed to do in their respective turns at cross dressing comedy. Unfortunately, Lawrence's portrayal is all surface imitation, utterly devoid of the kind of subtle shading that might suggest he had actually gotten in touch with his character. This film would be a trifle less innocuous if it hadn't been done so much better already.

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