SYNOPSICS
Donnie Brasco (1997) is a English,Italian,Japanese movie. Mike Newell has directed this movie. Al Pacino,Johnny Depp,Michael Madsen,Bruno Kirby are the starring of this movie. It was released in 1997. Donnie Brasco (1997) is considered one of the best Biography,Crime,Drama movie in India and around the world.
This true story follows FBI agent Joe Pistone as he infiltrates the mafia of New York. Befriending Lefty Ruggiero, Pistone (under the name Donnie Brasco) is able to embed himself in a mafia faction led by Sonny Black. Ruggiero and Pistone become tight as the group goes about collecting money for 'the bosses'. Eventually, the group become big-time when Black himself becomes a boss; all the while, Pistone collects evidence. However, the trials and tribulations of the undercover work become more than Pistone can bear. His marriage falls apart, and to top it off, the mafia suspect a mole in the organization. The real dilemma is afforded to Pistone, who knows if he walks away from the mafia, Ruggiero will be the one punished.
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Donnie Brasco (1997) Reviews
An absorbing, well made gangster movie.
Mike Newell is the weirdest choice for director of a Mafia drama, but he actually makes a terrific fist of it, delivering one of the very best gangster movies ever made. Johnny Depp, Al Pacino, Anne Heche and Michael Madsen are all in top form in front of the camera, too. Depp plays undercover FBI agent Joseph Pistone in this intriguing true story. Pistone is trying to infiltrate his way into a mob family in order to gather evidence against them. He assumes the identity of "Donnie Brasco" and slowly but surely earns the love and trust of an old-pro hit-man named Lefty Ruggiero (Pacino). As the months go by, Pistone's marriage begins to fall apart as he is away from his wife (Heche) pretty much all the time. The line between his real life and his undercover life blurs together and he finds himself dangerously close to being seduced by the violent Mob lifestyle. Donnie Brasco is an extraordinary film in many ways. As already mentioned, the performances are note-perfect. But there's so much more to it than that. The late 70s period details are impeccably captured; the dialogue is extraordinarily raw and realistic; the moral dilemma facing Depp is achingly, agonisingly conveyed. It's such a powerful picture, completely involving, that by the end you find yourself wrapped up in Pistone's predicament, asking yourself what decisions you would make in the same circumstances. Very few movies genuinely inspire you to debate the whats, whys and wherefores of the main character and his actions... but with Donnie Brasco, that's just what you'll find yourself doing.
Depp and Pacino in terrific movie
For some reason a Johnny Depp movie is always interesting. Whether it is a biopic about Ed Wood, a dark fairy tale about a man with scissors instead of hands, a movie about the greatest lover the world has ever known or a adventurous story about pirates, Depp's performance alone makes it worth seeing. Here he plays FBI-agent Joe Pistone who goes undercover using the name Donnie Brasco. He becomes a wiseguy with the help of Lefty (Al Pacino), who is sort of a loser wiseguy who desperately needs to be a mentor because most of his mafia family members look down on him. Donnie comes as a gift from heaven and it does not take long before Lefty trusts Donnie completely. The problem for FBI-agent Donnie is that he's starting to like Lefty as well. The movie is a gangster movie but has its focus on the relationship between Lefty and Donnie and sometimes on other relationships. Donnie, or Joe, is married to Maggie (Anne Heche) who he hardly sees. He can not exactly tell her what he is doing and sometimes stays away for a couple of weeks. She pretends she is a widow to deal with it. We also learn about the relationships in the mafia family, including new boss Sonny (Michael Madsen). The fact that this movie is more about the people and their relationships than about the events is a good thing. Sure movies like 'Goodfellas' are terrific but to see something a little different from time to time is nice as well. If you make a movie about people and their emotions you need to have some good performers to make the scenes believable. I already mentioned Depp but of course we have Pacino here as well. His Lefty is a memorable character and it is Pacino who makes sure that happens, but the fact that Depp is as good and especially believable as heavyweight Pacino says something. Of course we have Madsen who was probably the only right actor for the macho mobster Sonny. Director Mike Newell seems to be a strange choice for this sometimes very violent and bloody story since he directed the terrific but sweet 'Four Weddings and a Funeral'. Fortunately it turns out he is the right man for this material, probably because its real subject is not gangsters but, like I said before, the relationships between the characters. 'Donnie Brasco' has enough to offer for people who like the gangster-genre, but even if you are normally not a big fan there is still a chance you might like it.
A good gangster film with strong emotional under currents
In the late 1970's, FBI agent Joe Pistone poses as jewel expert Donnie Brasco to win the trust of ageing mob middleman Lefty Ruggiero. As time passes Donnie gets tighter and tighter into the mob, rising up when boss Sonny Black gets bumped up. While Donnie puts his life at risk, his real life crumbles as he never sees his wife or children. As he moves upwards, his friend Lefty is bypassed time and time again. As Donnie gets deeper, the FBI start to worry and want to extract him - something that cannot be done without exposing himself and condemning Lefty to death. Now that Pirates of the Caribean has made him a bankable star as well as a good actor I decided to dig out some of my old Depp videos and watch them. I have been a Depp fan since the mid-90's when I saw Arizona Dream, Ed Wood and Don Juan all in a period of 6 months -I realised then that this was not only a very talented guy but also one who seemed happy to do whatever interested him rather than whatever was going to make money. This film is in a well known and fairly reliable genre - the Italian American gangster movie but has the strength that it is an engaging true story. The plot follows Joe as he gets in deeper, is suspected, gets involved in battles between bosses and eventually starts to lose himself and forget what side he is actually on. Even though this is a true story, it still basically goes where we expect mob films to go, but it manages to rise above the clichés by having some very good characters and emotional themes. The whole gangster thing works and is gripping, but it is the relationship dynamics between Joe and Lefty that made it more interesting. The element of going `native' when undercover has been done plenty of times, but it is the combination of this being fact and Depp's great performance that makes it work well here; we feel for Joe a great deal. On the flipside the film also allows us to feel for the mob, or at least one of them. The majority of the mobsters are the usual stereotypes but Lefty is written with a great deal of sympathy - he is a middleman, taking the risks, doing the dirt but always passed over and having to beg money to keep his bosses happy. These are tragic characters and the film is not the slightly glamorous gangster lifestyle that Pacino has experienced in his Godfather roles. These two characters are well written and it is their subplots that makes the film better than the central plot (which itself is also very good). Depp is good and his performance is solid even if it doesn't really rank up their with his best - he lacks his usual flair but he gives the material it's dues. Pacino is of course, wonderful. His character is a far cry from his Godfather work and he manages to bring such pathos to Lefty that it is impossible not to feel for him. The support cast may not have as much in the way of character but they all do well in their roles. Madsen, Kirby, Ivanek, Heche, Miano and others all give good support, but it is Pacino and Depp's film - which is a good thing. Overall, the fact that this is a true story makes it more interesting but, while I was watching it I wasn't really thinking about it and was just enjoying the gangster film itself. The basic story is a well worn one but is still delivery well by Newell (who was a very unusual choice for director), but it is the emotion threads involving Joe and Lefty that make the film much more than just another gangster film.
Al Pacino's Best Movie
Yes, I am going to make the bold claim that this is his best work. "Are you talking about the same Al Pacino that did Scarface, Heat, AND the Godfather movies" you ask. Yes, yes, and let me explain myself. First of all, I want to add that I LOVE Pacino's work. He has such a commanding presence on screen and nobody in cinematic history can scream as well as him (though Gene Hackman is damn good). He can scare the hell out of you with just one crazed look in his eye and he never gives a flat performance (well, except in Revolution). Having said that, I think Pacino is incredible in this flick because his character is so understated. While his work often consists of playing flamboyant, over-the-top, and almost cartoonish figures(especially in Scarface and The Devil's Advocate), this film is a change of pace for him. Sure, he's still playing a mobster, but he's not as psychotic as usual, and for once, you get to see the inner struggles of a crook who deep down has a heart of gold (despite all of the murders). Pacino is perfect as Lefty, an aging crimical who wants out of the mob lifestyle, but doesn't know how to do it. Though you see the fast and fun world of mobsters in flicks like Goodfellas, this film gives you a sense that the mob life isn't that glamorous. Along with Pacino's acting, Johnny Depp is delectable as Joe Pistone (Donnie Brasco) because you can see his inner torment as well. He knows that he's been assigned to infiltrate the New York mob scene, but he develops such a close bond with Lefty that it's almost hard to bring him down. A very real, human relationship permeates between the two that is very moving. I like how the characters are always joking about being a "wise guy," as it provides some light chuckles, and it also shows that in order to live this lifestyle, you've gotta talk tough and act tough (as if I would know what that's like). The supporting cast is particularly noteworthy. Bruno Kirby plays a great weasel, Anne Heche is wonderful as Pistone's neurotic wife (you can understand her suffering, what with being married to an FBI special agent) and Michael Madsen is reliable, once again, as a mobster (honestly, does this guy do anything besides gangster or sci-fi flicks?). Every time I watch this movie I am breathless afterwards. The acting is wonderful, the music is superb, and frankly, I can't believe this stuff actually happened. Then again, I haven't read the book, so I don't know how much of it is true. Overall, this movie gets 10 out of 10. I'm shocked it doesn't get more recognition, especially with such prolific actors as Pacino and Depp leading the way. This is a different kind of mob movie, as it shows a more somber side to this way of life, and I recommend it unequivocally.
"Fergeddaboudid!"
For a movie that's only three years old Donnie Brasco isn't something people talk about all that much. Not exactly setting the box office alight, it's further proof that great pictures don't always translate into great financial concerns. Maybe it's the nondescript title - "Donnie Brasco" is hardly awe-inspiring and gives little indication of what the film is about. It turns out Donnie is the undercover name for Joe Pistone (Depp), a FBI agent investigating the Mafia. He makes a connection with "Lefty" (Pacino), which, while his initial integration into the group seems to lack conviction, soon builds up a watchable father-son relationship. Criticisms of the film - such as the forced nature of Pistone's behaviour becoming absorbed into the Mafia mindset - are largely irrelevant as this is a "based on a true story" outing. Engrossing and eminently watchable, with first-rate lead performances and able back-up from Michael Madsen, this is an overlooked and extremely worthwhile film. The only complaint? Depp's first scenes, wearing the most fake-looking moustache in the history of the movies. But it detracts little from what is a highly skilled picture. So Fergeddaboudid!