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La nuit a dévoré le monde (2018)

La nuit a dévoré le monde (2018)

GENRESDrama,Horror,Thriller
LANGNorwegian,English,French
ACTOR
Anders Danielsen LieGolshifteh FarahaniDenis LavantSigrid Bouaziz
DIRECTOR
Dominique Rocher

SYNOPSICS

La nuit a dévoré le monde (2018) is a Norwegian,English,French movie. Dominique Rocher has directed this movie. Anders Danielsen Lie,Golshifteh Farahani,Denis Lavant,Sigrid Bouaziz are the starring of this movie. It was released in 2018. La nuit a dévoré le monde (2018) is considered one of the best Drama,Horror,Thriller movie in India and around the world.

After waking up in an apartment where only the night before a party was raging, Sam is forced to come to grips with reality: He is now alone and the living dead have invaded the streets of Paris. Petrified with fear, Sam is going to have to barricade himself inside the building and organize his survival. But is he really the sole survivor?

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La nuit a dévoré le monde (2018) Reviews

  • Definitely not the stereotypical zombie flick!

    t-rexx-568-1968252018-10-08

    For starters, the zombies are totally, utterly mute. Believe or not, it's quite scary! In the real world, a simple cough would get anybody killed in an instant... More generally, one of the most powerful features of this movie is the strength of the overwhelming silence: in the streets, buildings, cars, rooms, hallways... Gone is the human agitation we have grown so used to! Then, the setting in beautiful Paris, downtown-style. Lots of nice Haustmanian buildings. This comes in sharp contrast to the horror that awaits our character at virtually every corner. The story fits on a simple sheet of paper, but the interest of this movie lies elsewhere. As some reviewers have described it before, it's about survival of the worst kind. I found myself planning what actions the "hero" should be taking to survive, ahead of him and, ticked, he went through each of them! In this regard, it is a pretty consistent movie which feels quite real. My biggest complain is about the ending, something that a lot of French movies typically fail to do properly (just like the Americans and Asians, but for some other reasons): there is absolutely no closure to the storyline, far from it. I won't get into the details here, but please be warned that you will be left with a virtually limitless number of possible endings for this movie, way too many in my opinion to feel comfortable with it.

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  • This is actually quite good

    matahari20-12018-06-11

    I just finished this. I very much enjoyed it. The undead in this are some of the creepiest in the genre because of their utter silence. The character of Sam really drew me in. You feel very much for him and he manages to portray just about every human emotion there is extremely well while finding ways to survive alone in the desert of death, horror and loss around him. This survival is not just about food and ravenous flesh-eating zombies. There are some small and brilliant experimental music scenes created when Sam finds ingenious ways to relieve his boredom and loneliness. He's obviously a musician . He plays drums amazingly too. There is a twist in there too. I don't want to give anything away except to say I didn't see it coming at all. There were many sad scenes. Some achingly sad. And a few humorous ones. Overall, this is an unexpected gem. Kudos!

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  • Spoilers but an alternate view of the movie

    careyethomas2019-01-04

    So I just watched this movie and wanted to come here for a take on the ending. Then i had an epiphany. The whole "it is just a dream" thing may actually apply here. At first I thought it was a straight up zombie movie. But there were disparate pieces when you put them together indicate that it was about his relationship. Often times writers/directors want to make commentaries but wont get the viewers unless there is something that appeals to the masses. Think of District 9 as an example or Starship Troopers. But think back to the beginning of the movie. There is a reason for the whole broken relationship angle. The apartment itself and the elevator are symbols of Sam being trapped within his feelings. He is reluctant to escape and move on. Then think of his constant attempts at "suicide" with attracting the zombies. He didnt have to lure them back continually but he did because parts of a person wants to die after a breakup. Remember his rant with Alfred? He was talking about being alone and the actor conveyed that hurt appropriately. Finally, the girl he meets represents opportunity. He shoots her down because he doesnt want anyone else. But in his dream within a dream, he realizes that he does have to move on. He tells her that she is right and has been right all along. He cant stay trapped in the memories of the breakup. He releases the inner him that is trapped in the elevator. Sam could choose to accept his fate once he is trapped in the elevator instead. But he doesnt...he escapes. He does want to live/love again. He is willing to take a leap of faith literally figuratively. At the end he realizes that he has moved on to the next building/relationship. However, they all are the same as he looks out to his future with the same pitfalls. Is he willing to love again and move from building to building? The writer/director leaves that up to the viewer. The road is rough and we dont know if he can or is willing to do it.

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  • Robinson Crusoe in a Zombie Post-Apocalypse World

    claudio_carvalho2018-06-19

    In Paris, Sam (Anders Danielsen Lie) goes to the apartment of his ex-girlfriend to take his tapes back. She is giving a party and asks Sam to go to an isolated room to seek the box with his tapes. He falls asleep on a couch and in the morning he finds the apartment and walls covered with stains of blood. Soon he learns that everybody was murdered by zombies. Sam looks for supplies in the building and barricades himself in a safe apartment. Sam realizes that there are only living dead on the street. As the days go by, Sam survives but feels lonely. Until the day he meets Sarah (Golshifteh Farahani), when he realizes that he is also losing his sanity. "La nuit a dévoré le monde", a.k.a. "The Nights Eats the World", is a horror tale of solitude and insanity. Sam survives to a zombie apocalypse and locks himself in an apartment. But like Robinson Crusoe, he feels the loneliness of the situation and seeks companion, risking his life trying to rescue a cat from the streets. He has only a zombie locked in the elevator to have conversation with. Sarah is his Friday and the last plot point is absolutely unexpected. My vote is six. Title (Brazil): "A Noite Devorou o Mundo" ("The Night Devoured the World")

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  • Richard Matheson meets Georges Romero...

    searchanddestroy-12018-03-10

    Or, if you prefer LAST MAN ON EARTH meets NIGHT OF THE LIVING DEAD. Two films which are some kind of cousins. We could also speak of THE OMEGA MAN? another version of the Dick Matheson's novel. I love this small French movie, very cheap but so free from those f... producers. It's of course a zombie film, with pretty interesting lines about loneliness and communication. Especially the one between the lead and an old zombie locked in an old elevator. You also have here some moving sequences, such as this one when the main character takes care of two corpses, man and wife, altogether in their room. Poignant sequence. One thing I don't understand: when the main character finds a long barrel gun, why does he suddenly have a short barrel gun a few minutes later? Did I miss something? besides this, I highly recommand this pretty little gem. Thumbs up folks;

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