Mekagojira no gyakushu (1975) Reviews

• Mechagodzilla Returns.

  jerekra2008-09-22

  Terror of Mechagodzilla follows "Godzilla vs Mechagodzilla". It would be the last film from the original "Showa" series of Godzilla Films. A submarine goes looking for the remains of Mechagodzilla. It is attacked by a giant dinosaur monster known as Titanosaurus. Later the Simians make a return to Earth and align with a scientist called Dr. Mafune. They bring Mechagodzilla up and repair him and also control Titanosaurus as well. Mafune's daughter Tetsura is killed, so the Simians insert a control for Mechagodzilla into her. Soon the Simians unleash Mechagodzilla and Titanosaurus on Tokyo. Godzilla appears and appears to be the only thing that can save the Earth. Mechagodzilla returns in this film. Definitely one of Godzilla's greatest foes, so it was no surprise that he appeared in another film with Godzilla. Mechagodzilla is a little different acting in this film in that he must wait for Tetsura to give commands. Also his fingers are longer and has revolving missiles added to his arsenal. Also if Mechagodzilla loses his head he has a smaller head underneath that fires a powerful beam of energy. Mechagodzilla can still function without his head in this film. He just can not function once Tetsura is destroyed. Mechagodzilla is not by himself in this film. Titanosaurus assists him in battle with Tokyo and Godzilla. Titanosaurus is a bright red and yellow color and has a long neck and tail that becomes like a fan to create wind storms. Also he can jump far and is quite a formidable fighter. However Titanosaurus is not really an evil monster, he is just taken control of by Mafune and the Simians and forced to be evil. A really good monster that only shows up in this film, but I like that he is in it. In fact, Titanosaurus is the main monster in this film and is on screen more than Godzilla and Mechagodzilla. Godzilla is not in this movie as much as he probably should be, he is over shadowed by both Titanosaurus and Mechagodzilla. This really is more of a Mechagodzilla film than a Godzilla film. But Godzilla does get his fair share of action towards the end. Godzilla has no help in this film, it is him against both Mechagodzilla and Titanosaurus. That is pretty cool. The monster action is pretty good in this film. Mechagodzilla gets to do some awesome destruction scenes on Japan. Godzillas fight with Mechagodzilla at the end of this film I think is a better overall fight because both monsters get to get in some action. It is not just one sided. There is no blood spilling all over the place in this one, I am not complaining just saying that I guess they thought that they went overboard in the last film. FOr the most part I thought the acting was good in this film. The young man who is in love with Getsura really shows great emotion and the SImians and Dr. Mafune are good bad guys. The story is great. It starts off with a search for Mechagodzilla's head. Then Titanosaurus appears and becomes the main focus for a while. Then Godzilla shows up and later Mechagodzilla comes back. Just a lot of good timing for monsters entering. A really well written and well acted film. This is one of the best and most under rated of the entire series. The music is great. It is not the same score from Terror of Mechagodzilla, it is different and more darker sounding. I guess they made great music a priority in the films starring Mechagodzilla. THis is one of my favorite music scores from any Godzilla movie. Complaint, well this will be tough. I guess one thing is that if you are watching this film to see Mechagodzilla you have to wait a long time to see him up and going. But that is really nitpicking. One last thing, the Japanese Version has quite a few differences. FOr one when the Simians are turning Tetsura into a cyborg you can see her nude breasts, I think that is the only nudity in a Godzilla Film. Also the American Version completely botches the ending where Tetsura must make a vital decision in regards to saving herself or the planet. I do not want to give away too much. A great film. If you liked Godzilla vs Mechagodzilla then you will love this one. Highly recommended.

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• Best of 70's Zilla

  Aylmer2010-05-04

  Toho realized something after their abysmal GODZILLA VS. MEGALON and hence were smart enough to put a bit more effort into their subsequent two films. GODZILLA VS. MECHAGODZILLA suffered from a lot of the same 70's goofiness of the previous films and some serious pacing issues, but overall was certainly a step in the right direction. Wisely, Toho decided to go old-school with the sequel and brought back Inoshiro Honda to direct and Akira Ifukube to compose one of his best musical scores yet for the series. The result certainly brings this film a level of class lacking in most of the Godzilla films following VS. MOTHRA though unfortunately there's a lot of silliness yet to be had. Plotwise we get the same tired old formula of aliens plotting to conquer earth with a monster (or two this time - Titanosaurus makes for an interesting newcomer) aided by a mad scientist hot for revenge against "those fools". Fortunately, Godzilla is out to stop them but isn't in full-blown hero mode. Instead, Godzilla seems to be fighting them more out of the fact that he's just plain pi**ed off, and he's got an impressive new suit to show it. Effects-wise you have to understand that Teruyoshi Nakano was working at 1/3 to 1/2 the budget of what his mentor Tsuburaya had to work with, so in that respect his work is quite impressive. This film features a triumphant return of the city-stomp with a show-stopping sequence involving Mechagodzilla and Titanosaurus laying waste to downtown Tokyo. Don't mind that they blow up the same row of buildings at least 4 times in a row - it's all great fun and showcases a lot of great pyrotechnics. There's a lot of bizarre moments in the climactic monster-on-monster violence and a lot of iffy continuity. For instance, Godzilla knocks Titanosaurus out of the way and then tackles Mechagodzilla to the ground but in the very next shot, Godzilla is lying down alone and Titanosaurus is suddenly there kicking him in the head. (?) Most likely a case of bad editing more than anything. Overall a worthy candidate for a way to spend a rainy afternoon. The 70's may have been a Godzilla nadir but this film is the highpoint of that lowpoint.

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• Mekagojira no gyakushu (1975)

  SnakesOnAnAfricanPlain2011-12-13

  Just as good as its predecessor, if not better. Last time we saw Godzilla teaming up to take down one monster. This time, he has to take down two, by himself. This is a great end to the original series, as it contains all the great elements. Awesome fights, which take us back to more inhabited areas. The country side had become a cheap alternative, but you can't beat city destruction. There is also a lot of heart, as we see a ridiculed scientist and his daughter struggle with their feelings. This film actually contains some human sacrifice. Making us and Godzilla equal again. Very impressed with something that could have been all a little much.

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• Terror of Mechagodzilla

  I_John_Barrymore_I2008-06-26

  Things did not bode well at the start, with a seven-minute greatest hits sequence that never seemed to end, but by the time it was over I found myself grateful for so much action so early on. When the story proper started it was with some very impressive underwater model work (I couldn't see the seams at any rate). But what really marked this out as a superior entry is the plot. A reclusive discredited scientist is employed by aliens to use his thought-controlled pet Titanosaurus to destroy Tokyo along with the newly-rebuilt Mechagodzilla, their combined might certain to overcome that pesky Godzilla. Meanwhile an Interpol agent and a marine scientist investigate the disappearance of an exploratory submarine, the trail leading them to the scientist's beautiful but non-too-helpful daughter. It might sound like the usual gubbins on paper but there's genuine tension in many of the scenes, it's logical and exciting, and rather than feeling like drawn-out filler while we wait for the real action to begin it's successful on its own terms, even managing to pull off genuine pathos bordering on tragedy at the end. When it does begin it's hands down the best destruction I've seen so far in the series. They're right in the centre of Tokyo surrounded by skyscrapers ready to be demolished and incinerated. The camera pans across the cityscape as whole swathes of it are destroyed, and it truly is spectacular. What makes it even more powerful is that it's not a fight sequence for the most part - it's just two big boys laying waste to the city. Godzilla himself is given a wonderful entrance, and in those moments it's a thrill to see this (of all films) so overtly referencing The Third Man (of all films). They do escape to the country for the final showdown, but there's still the odd power station to be sat on and let's face it, we've already had our money's worth with the destruction of Tokyo. The fight is lengthy too, with Godzilla on the back foot for most of it, and while we're never unsure of the outcome it does get pretty hairy for the big guy. For the budget the special effects are often superb and always imaginative (like the alien technician walking inside Mechagodzilla's head or the shot that takes us from his massive, dormant frame as he's being worked on, through a window, and finishes with the aliens and doctor watching the progress from a lab). The music throughout is excellent, and the female lead is impossibly gorgeous. What's not to love?

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• the darkest godzilla movie ever made

  gbh12003-04-30

  Terror of Mechagodzilla was the last Godzilla film of the first series and the last to be directed by Ishiro Honda, the same director of the first and arguably best Godzilla movie in 1954. Fact: Like every Godzilla movie ever made (perhaps bar the first two), it is ridiculous. Get over that and you have the darkest, and in my opinion best Godzilla movie of them all. In the UK it is the only G-movie to have a 15 certificate--for brief nudity and a violent shoot out--(How typically 70's)--but is also the darkest in tone from the art direction to the brilliant score--and the characters..oh, the characters... Well, TOMG is the only Godzilla movie to feature a femme fatale--which is already an achievment for a mostly juvenile sub-genre. *****SPOILER****** Funky Interpol agent Ichinosi falls deeply in love with Katsura, the cyborg daughter of a mad scientist, after exchanging all of about two cold scentences with her--fantastic! Not to mention his secretary--look closely and im sure she's got a crush on him...A love triangle in a monster movie! And then of course, the monsters are great--no stingy 'waste land' battles--we actually get to see buildings get smashed up in this one (surely the whole point of a G-movie), and the monsters are great too--'good guy' Godzilla's suit still looks cartoony, yet angry in a cute kind of way, and then there's Titanosaurus, who has a great shriek/noise and a tail that can 'fan' buildings away (!). Look out for Godzilla's first appearance which is also particularly fanatstic--and then his second arrival in Tokyo to save a couple of kids getting stamped on--genius. And did i mention Mechagodzilla? He really tears the roof off in this one--two re-makes on and the original Mechagodzilla is still the scariest. All i can say is give this film a chance--it has more ham than a spam factory but is very fast paced and entertaining throughout--right up until the inevitable tragic ending between katsura and ichinosi. And yes, the ending score as godzilla sails off into he ocean still makes me cry even today.

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