VidMate
Free YouTube video & music downloader
ACTOR
Junko IwaoRica MatsumotoShinpachi TsujiMasaaki Ôkura
DIRECTOR
Satoshi Kon
SYNOPSICS
Pâfekuto burû (1997) is a Japanese movie. Satoshi Kon has directed this movie. Junko Iwao,Rica Matsumoto,Shinpachi Tsuji,Masaaki Ôkura are the starring of this movie. It was released in 1997. Pâfekuto burû (1997) is considered one of the best Animation,Crime,Mystery,Thriller movie in India and around the world.
Mima leaves the idol group CHAM, in order to pursue her dream as an actress. Mima climbs up the rocky road to success by performing as rape victims and posing nude for magazines, but is haunted by her reflections of the past.
Pâfekuto burû (1997) Trailers
Fans of Pâfekuto burû (1997) also like
Same Actors
Same Director
Pâfekuto burû (1997) Reviews
Solid, well-executed anime
Perfect Blue is a very strange film. It's anime, but it's set in circa-1995 modern Tokyo, with a story in which everything could be explained in terms of natural phenomena and present-day technology. Furthermore, it's a psychological thriller, a genre which probably hasn't ever been done with animation before. But even if Japan's animators dabbled in this genre more often, Perfect Blue would still be a bizarre film. It starts off as a fairly conventional thriller about a teen pop singer who may be the target of a stalker, but then the movie goes completely insane, assaulting the viewer with rapid changes of scene, perspective, and context until we simply don't know what to believe anymore. This is done so subtly and gradually that we become completely trapped in the movie's spell, and we end up just staring at the screen in horror, helpless to stop the nightmarish events from unfolding. Rarely has any movie so effectively conveyed the lunatic terror of a character who has lost touch with reality, and once the movie is over, all you can do is just sit there and try to figure everything out. Have fun with it. It's a good head scratch. Unfortunately, the last minute or so of the movie is much too sappy and uplifting (especially the music on the end credits), cheapening the significance of everything that has gone before. But as a whole, Perfect Blue is an incredibly haunting thriller, a scathing look at the world of showbusiness, and a very worthwhile film.
Intense thrill ride
OK, this is definitely one anime movie that really has this creepy feel that clings to you as you watch. The animation is really good as characters and movements appear so life-like, it seems like reality. There's definitely the theme of 'identity' and Mima's difficulty distinguishing reality from illusion. Her paranoia and fear tends to grab your attention and as she asks questions, you ask the same ones. I thought the film also played well with celebrity infatuation and the price of fame. It really had a lot going for it and the different camera angles give a very dreamy, mysterious atmosphere. One great shot is the zoom out from Mima's apartment. I could've sworn that was a real city. "Who are you?" sums up this movie. What a film. By the way, CHAM's song is really catchy.
Outstanding animated mindbender. Fans of Hitchcock, Argento and Lynch will be hooked.
'Perfect Blue' is the most interesting animated movie I've ever seen. Lovers of cinematic puzzlers from 'Vertigo' to 'Abre los ojos' or the movies of Dario Argento or David Lynch will probably enjoy this one more than your typical anime fan, who might find this too slow, and not flashy enough for their tastes. I don't think 'Perfect Blue' quite reaches the heights of the aforementioned, but it is still a fascinating, multi-layered thriller that improves with repeated viewings. As a look at the illusions of fame and the dark side of obsession I personally found it to be a much more satisfying movie than the more celebrated and flamboyant 'Mulholland Dr.' I strongly suggest that the original Japanese subtitled version is watched rather than the inferior English dubbed one for maximum effect. This is one movie experience that will stay with you for days. Highly recommended.
A delusion within a nightmare...
Perfect Blue takes many levels of reality, fiction, dream, and delusion, and merges them into an occasionally baffling but overall thrilling and satisfying film. Mima is a rising pop star, not yet in the big time, but certainly on the way. She and her management team decide that it is time for her to try something new, so she leaves her pop group to become an actress, and that is when the problems start. Is there another Mima out there? She is ghost-like, still a pop star, denying this new acting career, ever-smiling... but if she is real, she may be a brutal killer. What of the stalker with the creepy face and violent temper? Is he the one running the website which describes Mima's daily routine in obsessively minute detail? If so, how does he know all these things? Madness and nightmares blend with the scripts of the increasingly bizarre role Mima plays in her debut acting job. Days repeat, life imitates script, and script imitates life. Are the boundaries between reality and dreams breaking down? ...and who is killing those who Mima is closest to? Perfect Blue will probably confuse you, and the ending will leave you thinking, but in these days of neat, clean-edged storytelling, a little confusion is good for the soul. I highly recommend this to fans of thrillers and anime alike, plus it is a great introduction to the world of Japanese animation for those just getting their toes wet. There are no giant robots or sex-crazed demons here, just a tight, clever psychological thriller with one hell of an ending. Make sure you see it with Japanese dialogue and English subtitles. That done, turn off the lights and prepare to be entertained.
Succeeds all the way at being horribly scary, in a very good way.
Perfect Blue is a storming success in every department. As a movie in itself, it's a brilliant piece of work, packed with style and -very- powerful scares. We follow teen pop idol Mima, who tries to make the switch from singing to TV acting. Everything seems normal enough at first, with just the somewhat funky directing hinting at things to come. But it wouldn't be a thriller if good ol' normality didn't come crashing to pieces to make way for some terrifying madness and violence. Things start to go pear-shaped when the studio staff working around Mima are threatened, and later horribly killed, apparently by an obsessed Mima-fan who doesn't like the new direction her career is taking. And as if that wasn't bad enough, Mima herself is starting to go bonkers with all the pressure. She begins to have visions of a disturbing alter ego, more or less her "old self" from her singing days. And this "other" Mima doesn't want to play second fiddle to the new acting image Mima has taken on; she claims to be the real one, with the flesh-and-blood Mima being the fake. Mima's delirium grows gradually more entangled, until she sinks into a mental state where it's impossible for her, and for the audience to tell what is, and what is not really happening. And there are still those murders going on... Granted, the "movie within a movie" gimmick has been done before so often that it doesn't even strike me anymore as original. Reality-twisting is also something I've seen before. All the same, Perfect Blue managed to impress me enormously, and scare my socks off like no other film. There's something about not knowing for sure (as a viewer) what is and isn't for real that always keeps one intrigued. Particularly during the more violent moments (and the film does get seriously nasty), one is constantly praying that it's -not- for real. "Go on, snap out of it, Mima. This is too scary to be real, you're just having another vision...right? Right?" The leitmotiv of a second self also intrigues me, and I found it delightful trying to pick out which Mima was really the "real" one. Just how strong is "false" Mima's presence in reality? Is she a complete phantom of the imagination, or does she have a litteral, physical presence of some kind? And most of all; out of these two versions of herself, which one does Mima really want to be? If you can't tell for sure what does and doesn't really happen, you also might not take everything the characters declare for granted. The ending does provide a somewhat logical explanation that ties up all of the insanity again, but that doesn't mean the fun of figuring this out for yourself is completely spoiled; you can very well not take the ending entirely for granted either (while it makes sense, there are some bits about the explanation it provides that don't completely gel with me). Lots of re-watchings and picking apart of hints is in store for me there. Love it when that happens ^^. A few tiny niggles; the animation quality in the first half of the film is not quite breathtaking, and seemed decidedly below-par for movie quality animation. Luckily, it picks up later on, becoming pleasingly smooth. And by the time you reach the terror of the later part of the film, you're already too frightened to really be picky about animation quality. Some of the violent and/or explicit scenes are very nasty indeed (ewww, straight people, sick man), but they serve the purpose of enhancing the fright factor very well, rather than just being needless grotesqueries to please the gore-junkies in the style of that hideous Akira. The film is a complete success as a frightening, surreal and involving thriller (though I do still like Jinn-Roh much better). But another reason to rejoice is that Perfect Blue is a step in the right direction for the general public's image of what anime really is. Sure, the enlightened few among us for whom Evangelion is standard fare, and who can give detailed insights into the latest CLAMP titles already know that anime is not "a genre". It's a medium in itself, and the Japanese animation market can, and does treat every imaginable genre and subject, often with skill that leaves feeble Hollywoodian efforts miles behind itself (in the case of Perfect Blue, it speaks volumes that a celluloid character such as Mima manages to become more lifelike and sympathetic than any sillicone tarts Hollywood chucks around the screen). It's hardly uncommon to see a genre such as a psychological stalker-thriller treated in animation to the Japanese. Heck, they've done every other imaginable thing under the sun in animation, and a damn good job they do at it as well. It's just a shame that hardly any of the really good stuff ever makes it over to the West, thus creating a distorted image for casual western viewers. We do seem to have made some progress from the Akira Aftertaste years, where anime was generally put on the same line as sex and violence and very little else (side-step; how come nobody ever raises a finger when live Yank actors engage in orgies of the most brutal porn and bloodshed in just about every Hollywood flick ever made, but the whole world screams bloody murder when an anime character so much as takes his socks off? Live Yanks can get away with everything?). Now it's "anime is just pink-haired fairies in giant explosive turbo robots". They're getting just a tiny bit warmer, but maybe Perfect Blue will get the message across to a few others that anime embraces a diversity that ranges from Sailor Moon to Wings of Honneamise (and I'm just globally sketching here), with a reasonably large number of people getting to actually see this. A quite decent English dub that doesn't hamper the film too much is also a plus, though a dub will of course never equal the original. It might help to keep the above paragraph in mind for a Perfect Blue viewer not initiated to the big picture of anime. In any case, it's an impressive movie for anyone, worth seeing for being so unique, gripping and masterfully scary. I'll think twice before I look into a mirror for a long time to come after this... A final note about the notorious comment that this could be a Disney-Hitchcock hybrid. Hitch perhaps, but comparing this kind of quality to Disney's paper-flat commercial slop is simply an insult to Perfect Blue.