The Invisible Woman (2013) Reviews

• Ralph Fiennes brings the literary legend to life

  aglowery2013-11-12

  With The Invisible Woman being the second feature in which Ralph Fiennes tackles Charles Dickens, you may say that the thespian, already known for his love of Shakespeare, has developed a new romance with English literature. With Fiennes at the helm, this biographical drama, based on the book by Claire Tomalin, takes a stroll into the private life of the public figure, Charles Dickens. Although The Invisible Woman positions itself at the heart of the Victorian literate, this is in fact the story of Nelly Ternan (Felicity Jones); hence the title. The bulk of this character-piece plays out as a flashback, as the narrative oscillates between the world of Dickens and the world post-Dickens. The mysterious title refers to the young Nelly, an avid-admirer of the literary colossus, as she enters into a secret affair with her idol. She spends the best part of her youth amorously involved with the writer, but given that Dickens was a lot older, it was inevitable that she would outlive her lover. Alone with her thoughts, Nelly, dressed in mournful black, marches along the beaches of Margate like a sleepwalker in the night, tormented by the loss of her companion; she must find a way to bring that chapter of her life to a close so that she may now move on. The picture paints Dickens as the talented and charitable man that he was, however we are also privy to a more sinister side of the wordsmith, as we learn of his malicious actions towards his wife (played by Joanna Scanlon). The camera takes its time, as it soaks up the brilliant performances of the cast and Abi Morgan's (Shame, The Iron Lady) masterful script provides a titillating narrative, as it transports us to the Dickensian period. Ultimately, The Invisible Woman stands as a beautifully crafted piece of filmmaking, however, it somewhat pales in comparison to Fiennes' earlier, more vigorous work. Anthony Lowery www.moviematrix.co.uk

  More

• "Ellen Lawless Ternan... that is my secret"

  paul-allaer2014-01-28

  "The Invisible Woman" (2013 release; 111 min.) brings the story of how famous writer Charles Dickens falls in love with a much younger woman, Ellen "Nelly" Ternan". As the movie opens, we are told it is "Margrave, 1883", where we see Ellen and her husband George hang out with several family friends, Ellen is asked (as apparently happens often) about her "childhood" (which we later learn is really a misnomer) memories of Charles Dickens. The movie then goes to "Manchester, some years back" (in fact, the late 1850s), where we get to know Dickens (played by Ralph Fiennes) as he is trying to turn his book "The Frozen Deep" into a stage play. Then comes about the Ternan clan, mother and her 3 daughters, to act in the play. One of the daughters, Ellen ("Nelly"), only 18 at the time, gains the immediate attention of Dickens (a married man, and 20+ years her senior), and a slowly developing courtship starts to play out. What will become of the attraction between these two in a Victorian society where the rules are strict? To tell you more would ruin your viewing experience, you'll just have to see for yourself how it all plays out. Couple of comments: first and foremost, this movie is a tour de force for Ralph Fiennes who in addition to starring also directed this movie, I believe his debut as a director. His portrayal of Charles Dickens brims with energy. It is amazing to see how successful Dickens was in his day, truly getting the rock star treatment of that era. Second, the performance of Felicity Jones as Ellen oozes charm from start to finish. She is a veteran of the UK film and TV industry but not so well known on this side of the Atlantic. I think that can possibly change following this performance. Third, the production itself is done exquisitely and hence it is no surprise that this movie just scored an Oscar nomination for Best Costume Design. Last but not least, the movie does a great job bringing the dilemma between the feelings of the two protagonists on the one hand, and the demands/standards imposed by society on the other hand. At one point, Dickens asks Nelly to share a secret with him, and she informs him that her middle name is "Lawless". When she in turns asks for a secret from Dickens, he whispers "Ellen Lawless Ternan... that is my secret", wow. I recently saw this movie at the Regal South Beach in Miami, and even though I saw it at a weekday matinée screening, the screening was quite well attended (leaning heavily towards women, I might add). It may be there there is a strong demand for this movie, which would be great, as this is certainly a movie that deserves to be seen. Bottom line: if you are in the mood for something that is miles away from your standard Hollywood fare, and learn a thing or two about Charles Dickens along the way, you cannot go wrong with this, be it in the theater or on DVD/Blu-ray. "The Invisible Woman" is worth checking out!

  More

• Fiennes impresses more as an actor than as a director

  JamesHitchcock2014-03-07

  There was a film called "The Invisible Woman", a sequel to "The Invisible Man", from 1940, but there is no connection between that film and the 2013 version. This film is not science fiction but the story of the love affair between Charles Dickens and his mistress Nelly Ternan. Nelly is "invisible" in the sense that Dickens, worried about the possible effect on sales of his books, is forced to keep her existence a secret, even though it is common knowledge that he and his wife Catherine have separated. Intercut with the main action are scenes showing Nelly's later life in the 1880s, more than a decade after Dickens's death, as the wife of a man named George Wharton Robinson. I had previously always thought of Nelly as a gold-digging bimbo, a talentless actress who used her good looks to snare a famous, wealthy older man and lure him away from his wife. That is not, however, how she is portrayed in this film. It is, in fact, Dickens who comes off badly. As played by Ralph Fiennes (who also directed) he comes across as a jovial, fun-loving party animal, revelling in his fame and celebrity, but also deeply selfish, not only in the way he treats Catherine but also in the way he treats Nelly. Nelly herself, by contrast is portrayed as a rather serious young woman, who in many ways shares conventional Victorian attitudes towards sex. She is, for example, shocked to discover that Wilkie Collins, Dickens's friend and fellow novelist, lives quite openly with a woman to whom he is not married. She is in love with Dickens, but is distressed by her ambiguous status and by the fact that their relationship cannot be acknowledged. She is shown giving birth to a stillborn son in France, a detail which clearly betrays the film's origins in Claire Tomalin's controversial biography. I should perhaps point out that not all Dickens scholars are convinced by Ms Tomalin's thesis that Nelly bore his child. (Indeed, some even insist that their relationship was platonic). The fact that the issue is still so shrouded in mystery and controversy, however, does indicate just what lengths he went to in order to protect his privacy. The Nelly of this film is therefore a complex character, far more than a mere Victorian bimbo, and it is a tribute to the talents of the lovely Felicity Jones, an actress I was not previously familiar with, that she emerges as someone both likable and entirely credible. Fiennes is also good as Dickens, a man uneasily aware that in leaving his wife for another woman he is betraying the family values he once so assiduously championed. (He even called the magazine he edited "Household Words"). Other good contributions come from Kristin Scott Thomas as Nelly's mother and Joanna Scanlan as Mrs Dickens. Although Catherine was the "innocent party" in the breakdown of her marriage, it is all too clear from Scanlan's interpretation just why Dickens felt unable to live with this dull, frumpy woman. Fiennes the actor is fine, but I was less taken with Fiennes the director. The pace of the film can be excessively slow and the switches between the chronologically earlier scenes, taking place in the late 1850s or 1860s, and the later ones, taking place in the 1880s, were too abrupt and made the story difficult at times to follow. It didn't help that Felicity Jones (aged about 30) looks much the same age in the later scenes (when Nelly would have been in her forties) as she does in the early ones (when she would have been in her teens or twenties). Felicity does have a different hairstyle in the later scenes, but the purpose of this seems to have been to mark the changes in fashion between the 1860s and the 1880s, not to make her look older. Another thing that surprised me was that the film did not deal directly with Dickens's death or with the immediate impact this had on Nelly's life. It struck me that this was one time when Nelly's status as the "invisible woman" worked in her favour; had she been openly acknowledged as Dickens's mistress she would, given the often hypocritical attitudes of the Victorians towards extra-marital sex, have found it very difficult to make a respectable marriage after the sudden, unexpected death of her protector while he was still in his fifties. (She might have found this difficult even if Dickens had obtained a divorce and made her his second wife). Possibly, however, the scriptwriters avoided any speculation of this nature because it would not have fitted in well with their view of Nelly as the innocent victim of her lover's selfishness. The film is made in the best British "heritage cinema" style and will doubtless find favour with many fans of that style of film-making. I was, however, in some ways disappointed with it, feeling that its structure could have been clearer and that it could have dealt with this aspect of Charles Dickens's life in greater depth. 7/10

  More

• A jigsaw puzzle with many missing pieces

  philrich-785-3932852014-01-25

  A 6 or a 7? I went with 6, but would have preferred 6.5. The film is beautifully made, which is no surprise, with beautiful costumes and scenery from the Victorian era, as well as being beautifully acted and well produced. However, although loosely based on the biographical book of the same name (The Invisible Woman), the plot line is vague and esoteric; that is, "intended for or likely to be understood by only a small number of people with a specialized knowledge or interest." We see glimpses into the life and behaviors of Dickens, his mistress Ellen "Nelly" Ternan, and Dickens' wife, but the film provides little depth or detail, and certainly no explanation for the meaning of these glimpses, or even a clear time line. If you know enough about Dickens ahead of time it will make sense; if not, it will remain a mystery (such as, "what was that scene about?") unless you, as I did this morning, start learning more about Dickens' life as he lived it, including better understanding the book the film was based upon. We see otherwise unexplained glimpses into the life of Dickens and Nelly, some of which seem to be inaccurate dramatizations (poetic license?), which have little meaning on their own, and leave you wondering what just happened, and why was that important. You'll get the overall picture, but it will be like a jigsaw puzzle with many missing pieces, some of which , because of those missing pieces, are actually incorrectly put together. If you're not already familiar with the life of Dickens and Ternan, read up on Dickens before you go, or be prepared to read up on him after you see the movie. But don't otherwise expect to come up with a clear picture of anything, except that Dickens and Ternan had a long-standing affair that affected her past his death.

  More

• Film Reviewer on the Go

  tamara752013-12-19

  I saw The Invisible Woman by Ralph Fiennes Monday night. The film is about Charles Dickens; played by Fiennes, and his young lover Nelly; played by Felicity Jones. Dickens meets Nelly during the height of his career. The film highlights what options there were for ladies of that time. Nelly's family was made up of lady actors with considerable skills. These skills allowed them to book job after job. It was determined that Nelly's acting was sub par though she was very well read and versed in all things literate and theatric. Her mother notices immediately Charles inclinations towards her youngest daughter Nelly. Not only does the actual actress possess good clarity of emotions shown through subtle changes in her eyes and facial expressions, but also Felicity is able to perform the flat acting for her character, which the character is accused of doing by her thespian family. Along with her mother's immediate notice of Charles fondness for Nelly, Charles's wife Catherine notices Charles's visage as he perks up greatly in Nelly's presence. The only one not to take notice of Charles's fancy is the barely eighteen-year old herself. This lack of knowledge, however, does not stop her mother Frances from putting Nelly directly in Mr. Dickens path. Frances feels this is Nelly's best chance at acquiring resources for living a decent life. Nelly had been an admirer of Dickens's work and of his careful cultivation of the written and spoken word. When she is awakened to what is being orchestrated for her, she feels greatly unjust for the loss and cruelty Dickens exhibits towards the mother of his numerous children, Catherine, as he pursues her instead. The film speaks to the trials many women have gone through over the ages; of not being in a social standing equivalent to men, of not being allowed to pursue work and lovers with the same nod of approval and understanding society allows for men, and of not being paid the same as men for the same work. Options given to ladies, even educated and cultivated ones, resort to the comforts their bodies offer in flesh, mind, and spirit. Men are free to roam the cabin and go out into the greater world to frolic as they wish. Meanwhile the women, Dickens's wife and his lover, are left with plenty of resources; a place to live, children, and food, but these ladies are not seemingly able to go in search of ambitions of their own. Their lot is to wait for the attentions of one selfish but successful man's desires and whims. The saving grace for Nelly in the film is that she very much loved Dickens, he left her in good standing as far as her material needs, and their love was quiet enough that it didn't harm her reputation as she was simply his kept woman. She goes on to live a full if haunted life, remarries, teaches school children acting, and has a child with her husband. It is a film that speaks to the ages. Charles's success in career and in becoming more than he was as a child, is a prominent feature of Dickens's life as portrayed in this film. He was gregarious, charming, and well sought after to speak, read, and act his writings and plays. The artist felt emptiness in his personal life, though he soared in his career's success. His poor wife Catherine was left wearily trailing in his path. Still a living breathing artist, he found new heights to experience in his new love. I don't know that the human condition, that seeks happiness in coupling with another, is ever one that is fully satisfied. A delicious film all around with room to ponder life's what ifs.

  More