The Transfiguration (2016) Reviews

• Story is very clearly told

  ladybug25352017-08-23

  I don't know how anyone could have been confused by this film, as the story was very clearly told, including the tragedy that formed our young lead's fascination and compulsion for blood. In fact I found the script's ability to fully clarify the motivations and events without fully explaining them to be a cut above the vast majority of films that try (and often fail) to do the same. Mind you, I wasn't fully engrossed in the film, I was surfing the internet at the same time, and I still found the fullness of the tale easy to fill in. All of this is possible in no small part because of the excellent acting of the main characters, and the careful plotting as the tale unfolds. The details are extremely important in this film, but given the slow pace, you don't have to maintain constant attention to catch them. This young man has grown up in a dangerous neighborhood in which violence is a fact of life. This is a neighborhood and a family that was and is always on the precipice of disaster. This is the kind of environment that when coupled with a pre-existing propensity, creates the kind of psychopaths we have nightmares about. Coupled with the temporary absence of an older brother (apparently away at war at the time) at the time of the sudden and messy suicide of their mother, the main character of the film who found her immediately after the act-- a young teen is essentially turned into a locked and loaded weapon. It's also apparent that the disturbed young man is in court-ordered counseling ("You know you aren't allowed to cut our sessions short"), for killing and mutilating animals and his fascination for blood and violence is known--but what most of the viewers here seem to miss, is that this significant and formative experience is what formed his fascination for vampires and compulsion to drink blood and not the other way around. Even without this knowledge being spoonfed to the audience, it is clear that he is "different"-- perhaps always different (perhaps even on the autistic spectrum) and his difference is recognized by others ("Freak!") given his inability to connect with others, and his lack of emotional reaction to even the roughest abuse (what is called a flat "affect")--but what no one knows is that his fantasies are not solely inside his imagination. His big brother--now his sole source of support, is in turn being crushed by his own problems; the effect of their mother's suicide (their mother's bedroom is closed off and unoccupied, even as he sleeps on the couch because his little brother occupies the only other bedroom), depression, fatalism, his brother's severe issues and apparently PTSD; he isn't a psychopath, but death isn't a stranger-- and he knows he isn't able to do anything for his psychopathic little brother, except accept him as he is "no matter what happens, what he has to do to survive".....He is saddened that he can't protect his little brother; not from his violent "freinds" who threaten the neighborhood (though he no longer hangs with the gang himself), and he cannot even protect his little brother from himself--clearly he has accepted that his little brother is going to come to a bad end--but he does what he ca; given as little as that might be under the weight of his world, he still obviously loves his little brother. This is quite a different vampire film in that the protagonist is not actually a vampire. His thirst for blood is quite real, but his compulsion to kill may be more of convenience given he seems to gain no satisfaction from the act, and in fact demonstrates a modicum of remorse--moreover, his remorse directly leads to his final acts of-- if not "redemption" in the traditional sense, in a way that at least gives his life some sort of meaning (which I won't give away) in the limited world he inhabits. It's the blood that calls him--not the act of obtaining it-- which his physical being in fact rejects (and dare I say, his rudimentary conscience as well, that glimmer of humanity he in fact does possess behind his blank uncaring mask?); but like many serial killers, even at his young age he is trapped within the ritual he has created in an effort to control his impulses. He knows he is bound, though we don't know if he is bound by rules only his imagination has conjured, but like the best of stories, he sticks to the rules he has bound himself too--both good and bad. This is truly a unique take on the vampire story, with very detailed and nuanced characters.

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• I'm confused as to why everyone is confused. No, this is not a vampire movie, it is much better.

  nuwberout2018-04-25

  This is not a vampire movie. This is a movie about a troubled young man with homicidal tendencies and delusions of being a vampire, either because of mental illness or as a way to understand himself as something more than just being a murderer. It is quite clear that Milo has led a troubled life of solitude and lack of love--mother kills herself, dad is not around, and his only other family, the brother, sits detached from reality always watching TV as his escape from the pain they have both endured (pay attention to the limited roles adults play in this movie and how even when an adult is present on screen you don't really see their faces.) When he finally finds love with Sofie, he has to acknowledge the truth of what he is: a violent killer. Instead of destroying the one pure thing he has, his relationship with her, he chooses instead to save her and to destroy himself (his ultimate plan.) This is what the title, The Transfiguration, refers to since a transfiguration (in biblical terms) is a complete change to a more spiritual and pure form. Milo thus, changes from a savage, remorseless killer to a compassionate, selfless savior. It really is a psychological film that centers around characters, not action. Bear that in mind, and you won't fall into the "this movie moves too slowly" trap. That being said, the blood sucking scenes are truly disturbing because they are indeed very "realistic" (main point director/writer is trying to convey by having Milo obsess about liking vampire movies to be realistic.) There is no fantasy in this movie, no mythical supernatural monster, just a real-life sick human boy killing and sucking the blood out of his murder vicitims and that is truly horrifying because it is rooted in reality.

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• Masterful and chilling

  donkeycity2018-02-15

  Almost a modern reimagining of George Romero's Martin meets Let the Right One In - both of which are referenced by name in the film - this goes real deep into childhood trauma and poverty through the lens of being a young Horror movie fan. I think a lot of Horror fans relate to the genre to deal with the trauma of the world, to some degree, and this is a moving exploration of that (as well as themes of self-loathing and social isolation).

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• This is not "Let The Right One In" or "Bram Stoker's Dracula," but in a good way.

  badvibes3332017-08-10

  I have been waiting to see this movie for a few months now. It just recently got released to DVD so I picked it up. I'm a very tough movie critic, especially when it comes to horror films and even more specific: vampire films. We have seen the extreme violent and evil natured vampires, and then there are the ones with some empathy and humane features. This film is the latter of the two. The film isn't based mostly around the sole plot of the vampire, but more around the "vampire's" surroundings, interactions, thought processes, and interests. A select few will really resonate with this movie. If you were ever the different kid at school, it's almost a trip down memory lane. Milo is a selective talker and generally unafraid of bullies, whether at school or around his housing project, and takes it with stride. "It is what it is," he says to the other main character Sophie. Sophie is a bit of a polar opposite of Milo. She is more of an extrovert and not afraid to make the first move. Of course, this creates some friction between the two but that eventually will develop into what I think the movie is honestly about. This movie isn't centered around his vampiric tendencies: whether they are real or not is for you to decide. It strives more for two people who don't feel they belong or exist in this world. One feeling that way towards the beginning and shifting to the other towards the end. The movie doesn't flesh out much of Milo's background or Sophie's, but I think that's the point. It would have been less interesting if you knew more about either. This isn't one of the best movies I've seen all year, but it has been this week's best by far. The movie centers around the human condition more than anything, and how people learn to cope with it, or sacrifice to make something larger than themselves be improved or saved. Don't get me wrong, this film is definitely a slice of life dealing with vampire elements, but it's also about two confused individuals trying to figure out things together. I liked the ending personally, it jumped into a moment of Milo's life and jumped out of it with two people's lives changed for the better or worse. It's completely up to you. This won't scare you, it's more of a drama/crime/mystery. But I loved it. I would honestly give it a solid 6 out of 10, which means I thoroughly enjoyed and will probably show it to someone or watch again myself. It was a very blood sucking satisfying but, "realistic," as Milo says so much during the movie, reality. It is a more toned down Let the Right One In, but I would say it leans towards that type. So it's up to you if you are interested in a semi complex layered story that has to do with vampire elements. I would rate it 6 out of 10, but I went with a 7 so it hopefully secures the solid 6 it deserves.

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• It's not all fun wanting to be a vampire

  joebloggscity2018-02-04

  This intriguing little film tries to merge various genres into one. What we have is the story of a young black boy living in a one parent household (actually it's his big brother as his guardian) who fantasises to help get him through the days in an otherwise hard life on a violent gang led estate. The dark side is that the boy has an obsession about vampires, which leads him to copy his 'heroes'. The film references lots of vampire movies, and you can see the labels of the videos he watches to get him up to speed on the genre. However, as he begins to kill to ape his heroes, it is uncomfortable. His other escape turns out to be a lovely girl who moves into his building, and he is finding a life beyond his fantasies, but it begins to have an impact on that relationship. This is a low budget but intriguing movie. The odd critic has tried to say it's a copy of Let The Right One In, but it's not. It's a different take on the idea and merges other ideas in. It's thoughtful, emotional and very well acted by the young crew. It stood out, but sadly has gained little attention. Disappointed to see the reaction to it by some, but it's a nice simple gem. Give it a go. It's worth it.

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