SYNOPSICS
The Wistful Widow of Wagon Gap (1947) is a English movie. Charles Barton has directed this movie. Bud Abbott,Lou Costello,Marjorie Main,Audrey Young are the starring of this movie. It was released in 1947. The Wistful Widow of Wagon Gap (1947) is considered one of the best Action,Comedy,Family,Romance,Western movie in India and around the world.
Chester Wooley (Lou Costello) and Duke Egan (Bud Abbott) are traveling salesmen who make a stopover in Wagon Gap, Montana en route to California. During the stopover, notorious criminal Fred Hawkins is murdered and the two are charged with the crime. They are quickly tried, convicted, and sentenced to die by hanging. The head of the local citizens' committee, Jim Simpson (William Ching), recalls a law whereby the survivor of a gun duel must take responsibility for the deceased's debts and family. The law spares the two from execution, but Chester is now responsible for the widow Hawkins (Marjorie Main) and her seven children. They go to her farm, where she works Chester from dawn to dusk, and at night he must work at the saloon to repay Hawkins' debt to its owner, Jake Frame (Gordon Jones). Her plan is to wear Chester down until he agrees to marry her. Chester quickly learns that no one will harm him, for fear that they will need to support Mrs. Hawkins and her family. Simpson makes ...
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The Wistful Widow of Wagon Gap (1947) Reviews
A Picture is Worth a Thousand Bullets
Two traveling salesmen (guess who) arrive in the lawless frontier town of Wagon Gap where the outlaw boss Gordon Jones and citizen's committee head William Ching are in a power struggle. Poor inept Costello winds up getting framed for a murder and he and Abbott are both about to be hung when Ching discovers a law in Montana Territory about a man who causes the death of another is responsible for the deceased's debts and family. Costello takes the responsibility. He soon thinks capital punishment even the extralegal kind might be preferable to dealing with Marjorie Main and her squalling band of kids. Think of Costello inheriting the Kettle clan if Pa Kettle had met his demise at Costello's hands and you have some idea what Costello is going through. But quite by accident it's discovered that Costello has carte blanche in Wagon Gap because no one wants to see any harm come to him or else they might inherit Marjorie Main. Costello carries a picture of her and the clan close to his heart and it's more valuable than a Sherman Tank would have been. He has a very funny scene cooling down a town drunk played by Dewey Robinson after he's made sheriff. Marjorie Main with her own brand of rustic humor does not yield the film to Bud and Lou. You might also like the performance of George Cleveland as a judge not unlike Samuel S. Hinds in Destry Rides Again. In fact the whole film has a lot of similarity to Destry and no surprise there since this was originally supposed to be a more serious story that was to have starred James Stewart. When he passed on it, it was rewritten for Abbott and Costello. The Wistful Widow of Wagon Gap should appeal to both fans of the Kettle family and those of Bud and Lou. Between them they accounted for a big portion of what counted as profits for Universal Studios.
Definitely one fans will enjoy but also good enough for the casual viewer
When travelling salesmen Duke and Chester are found guilty of a murder they did not commit, they face a choice between hanging or being responsible for picking up all the dead man's debts and responsibilities. Of course they pick the latter but they didn't reckon for the size of the dead man's family or the veracity of his widow. This is the setup for the film and, having seen a lot of "formula" Abbott & Costello recently (the "lead" cast have a romantic plot of sorts while A&C do the comedy parts) I was interested to see a film where they were the main players for all of it. The result was actually one of their stronger films as the comedy is well mixed with the plot (such as it is). This means we don't have the usual reliance on wooden actors to keep the plot moving or musical numbers to fill the time out (both normal devices in these films). The laughs come from pratfalls, double-takes and clever dialogue and I must confess I was surprised by how easy the film was to enjoy. The plot is not that great but at least it is consistently moving without the stuttering effect that the other formula would often produce (wooden scene followed by funny scene) and it has much more of a flow to it than some of their films. Both Abbott and Costello are on good form and working well together but the real bonus is the casting of Main, who, from the tagline, must have been well known at the time (I know she is Ma Kettle – I just have no idea of those films whatsoever). She is great fun and she works very well with Costello in particular. The support cast are solid as they allow the stars to play off their support and generally everyone does what one would expect from them. For some reason I had low expectations for this film (perhaps the title and that I'd never heard of it) but the reality was that it was a very enjoyable film from Abbott and Costello. By having them in the front of the plot the stuttering is gone and the film flows much better than some of theirs, while the laughs are fairly frequent and come from a range of types of humour. Definitely one fans will enjoy but also good enough for the casual viewer.
Costello does a Sheriff in Drag Arresting The Bad Guys in Stitches
This Abbott & Costello outing is definitely a very much formula Comedy Western done in the late 1940's when all the movies were pretty much formula. Director Charles Barton who worked with the boys more than any other director does pretty well here. Barton never became a household name as a director but anyone who is a fan of the team knows his name was the most frequent one with them. The best thing about this film is Marjorie Main. She is a major addition to a cast which includes Gordon Jones. Marjorie does comedy well including her Ma Kettle films but in this one she plays off and supports A&C just fine. She is the Widow here and as in the case of the Kettles has a big household of young ones. This is very much in her element of comedy. While Abbott & Costello do not get a lot of verbal comedy in this, there is enough of them for their fans. Some of the special effects used we OK then but look dated now. At least there is not a lot of musical interruptions to annoy the viewer in this one. Overall, this one is much better than their worst outings.
One of their best
This is one of my favorite Abbott and Costello movies and one of their best. There really isn't that much interplay between Abbott and Costello, despite the basics, as Marjorie Main consumes (or inhales) a lot of the attention. The classic and time consuming routines are also few and far between. The script is one of the tightest in the team's movies and there aren't really any dead spots. The supporting characters are very strong and Abbott and Costello don't have to scene steal to be effective. The plot is thus: Abbott and Costello come to Wagon Gap and shoot off a gun to make a statement. A man falls dead and, faster then you can say "railroad", Costello is made the sole supporter of the dead man's family. Marjorie Main plays the less then weeping widow. She's actually a very talented comedian, her gruff, manly demeanor aside. The townsfolk are seedy vigilantes and provide a hostile setting. The humor is great, with some great, subtle lines and a very funny routine where Costello gets smacked with paint while painting a fence. The best plot twist is Costello being named sheriff because no one will touch him (much less shoot him) as they would have to provide for the gruff and nagging Main. The typical hurricane ending is less chaotic and more pleasing then the regular. A lot of fun and one of my favorite Abbott and Costello movies.
One of Abbott and Costello's best...
Aside from ABBOTT AND COSTELLO MEET FRANKENSTEIN, this might just be one of Abbott and Costello's best films, though it represents a great departure from their earlier films. The early films followed a clear formula in which Bud and Lou did their comedy (often reprising old Vaudeville bits), there was a romance between two pretty but bland supporting characters and lot and lots of singing--and often in the form of huge and silly production numbers. As a result, the script was rather superficial and the story was driven by these three elements. However, by the time THE WISTFUL WIDOW OF WAGON GAP came along, a newer (and in my opinion, often better) style emerged. Gone (thank goodness) were the songs, the romantic subplot was de-emphasized and Bud and Lou now appeared in character-driven plots--and their old routines were all but gone. Getting rid of the routines was a good idea, as by this film, the team kept repeating themselves--doing many versions of "Who's on First", "7x13=21" and Bud (or someone else) cheating Lou as they count out money. This film is in many ways like combining a traditional Western with an Abbott and Costello comedy and this mix worked quite well. Much of this credit is due to the writing but I think a big part of this also was having Marjorie Main in a big supporting role. She was always a funny bit player in films and here she gets more to do (like she would in her "Ma and Pa Kettle" films). Plus, I appreciate just how game she was--as many of the jokes poked fun at her homely appearance. Poor lady! It all begins with Bud and Lou coming to a Western town. Soon after arriving, Lou is accused of killing a man, though it's obvious to the audience that Lou's shot probably had nothing to do with this. The townspeople want to string him up, but in court he is saved by an obscure law that calls for the surviving person in a shootout to assume the debts and take care of the victim's family! So now, Lou is spared a hanging, but is stuck with Main and seven kids! Main wants marriage--Lou just wants to work to take care of them and just hopes everything works out somehow. Later in the film, the plot takes a funny twist. You see, all the men in town really feel sorry for Lou, as Main and her brood aren't exactly much of a catch. When Lou realizes this is an insurance policy of sorts, he realizes no one will ever try to kill him. So, he volunteers to become sheriff and is almost fearless in his duties--after all, what does he have to lose?! Seeing this change is quite funny as is the entire film. In fact, it's nice that the film actually gets better as it goes and saves some of the best stuff for last. Overall, an excellent film and quite an improvement in the series. The only prior film that seemed to come close to THE WISTFUL WIDOW in quality and fun is WHO DONE IT!--and this, also, because it abandoned the singing and stuck with comedy.